Stephanie Rizaj      
Moving   
Walls   
Everyday















All Their Lovers (2022)
Installation
In All Their Lovers the formal language of care instructions is appropriated to tell the story of twelve women over three generations. Gradually, interwoven connections are revealed through the disappearance of the key figure. 





















Selbstportrait (2021)
Sculpture
The artist, uses the formal language of conventional clothing labels to describe herself. In doing so, she uses identity-political terms along with an essential care instruction.






















Untitled (Existentialism) (2021)
performative Sculptures
Untitled (Existentialism) consists of backpack straps on a massive wall. It not only explores the limits of the institutional framework, but also articulates current precarious and social challenges. It plays with the immediate language and the connotation of an everyday object. Memories of their own possibilities. Deprived of its original quality and attached to a highly static and limiting element.